Tuesday, March 15, 2016

Ernest Gaines: A Timeless Storyteller

Ernest J. Gaines
(Photo by Joseph Sanford, courtesy Ernest J. Gaines Center.)


By Cheylon Woods

In 1933 a child came into this world with so much potential to learn from, be influenced by, and influence the world around him. As the world was slipping in to political and economic devastation, no one knew that a small boy born on River Lake Plantation in Oscar, Louisiana would become Ernest J. Gaines, One of the most prolific and timeless authors of the 20th century.

Growing up on a plantation gave Ernest J. Gaines a unique type of perspective on life. Gifted with the talent of honest observation, as a child Gaines was able to perceive the crux of complicated social issues such as race, gender and class. He was also able to see how people influenced their world around them and how, in return, they were influenced by the world.

As he embarked on his career he used all of the things her learned from River Lake Plantation, adolescence, and San Francisco State University to create honest depictions of how he saw life in the South. Mr. Gaines used the information he gleamed from observing personal interactions throughout his life to create characters that wholly embodied the essence of being alive. Characters like Miss Jane Pittman (The Autobiography of Miss Jane Pittman), Catherine (Catherine Carmier), Louis (Of Love and Dust), and James and Jefferson (A Lesson Before Dying) all embody a realness that draws you deeper into your own awareness about self and the world you live in.

It is this realness that makes the work of Ernest J. Gaines so timeless and pointed. All of his books paint a complex picture of real life filled with love, sadness, hardship, betrayal, mistreatment, and hope that resonates beyond the Civil Rights Era. His novels and short stories strike at the heart of real issues such as racism, oppression of all kinds, miscarriage of justice, gender inequality,  while showing us that through it all people can still love, learn, be strong, progress, and care about one another and their places that shaped them.

The topics that can be found in Gaines’ writing are not only as old as humanity, but have been driving forces in shaping civilization, both good and bad, as we know it. To this day some are looking for ways to ensure equality for all while others may be looking to secure their personal power. We still look for love and acceptance while there are those who look  to live a life strictly by their own whims, unconcerned with who or what gets hurt in that process. 

Throughout his work, and throughout his career, Gaines strove to show the world a mirror of itself through a Southern lens. He crafted people from different upbringings, with different interests and peculiarities, and showed us both the good and the bad in all. Readers can find some vestige of themselves in all of his characters, and are reminded that they possess as many complexities as those on the page. His work forces us to think about our own perceptions reality and righteousness and how these ideas actually work in our own communities.    

Common themes throughout Gaines’ work are the ideas of justice and accountability. In almost every novel there is some measure of justice and accountability, although often subtle.  A Lesson Before Dying is one of his more powerful novels that directly puts these issues in the forefront for the reader. This book not only looks at the idea of justice and the justice system, but it also calls the idea of masculinity, advocacy, reality, and community responsibility to the forefront of our minds. All of the characters are confronted with their ideas of right and wrong through the incarceration of one man, and throughout the book you see how each character comes to some kind of terms with the idea of justice as it relates to the society that they live in.

Gaines expertly crafted the story and characters of this book in a way that conveyed the true weight such an incident would have on a small community and community leaders today. In 2016 most people who read A Lesson Before Dying can remember at least one time during their lifetime where something similar happened, and their community (physical community or intellectual community) discussed the ideas of justice and personal accountability.

Ernest J. Gaines has created some of the most moving and accessible pieces of literature of the 20th century. He wrote during a time of social awakening which is reflected throughout his work. He strove to show the humanity in all and all of humanity, and succeeded doing so in such a way that is never dated. His characters are not locked in some era from so long ago, distanced from us by a great cultural chasm of days long gone, but are real, breathing and visible to us today. The plots and the characters created by Gaines so beautifully reflect the complexities that is life and humanity that they still resonate with readers more than fifty years since his career began. This in itself is the mark of a great author, and this is the mark of great literature.



 Cheylon Woods is the director of the Ernest J. Gaines Center at University of Louisiana at Lafayette, where she is also the Center’s archivist and ULL assistant professor of Library Science. She received an MLIS from LSU and an MA in Heritage Resources from Northwestern State University.










Editor's note: Cheylon Woods' essay originally appeared in "Prologue," an audience guide for Slidell Little Theatre and is reproduced here with permission. 

Monday, March 14, 2016

Walker Percy Film: Journey from Medicine to Fiction, Agnosticism to Faith

My first introduction to the writings of Walker Percy was Love in the Ruins. I was instantly hooked, and moved on to devour The Second Coming and Lancelot. But I hit a wall when it came to perhaps his most famous novel, the National Book Award-winning, The Moviegoer.

For some reason – immaturity, perhaps – I just couldn’t get into the novel. I tried a couple of times, but I always ended up setting the book down, unread, and moving on to something else. It wasn’t until I was in my forties that I picked up the book again, and it was like I had been hit by a bolt of lightning. I realized for the first time the brilliance of The Moviegoer.

I told that story a few years ago to New Orleans-based filmmaker Win Riley, who seemed nonplused by my lack of appreciation for The Moviegoer. A Percy devotee since his teens, Riley once said that he first read the novel when he was a teenager and that it hit him “like a depth charge.” Thus began a years-long fascination with Percy that culminated in Riley’s must-see biography, Walker Percy: A Documentary Film.
 
With Win Riley (left) during a screening of
Walker Percy: A Documentary Film
In a 2011 interview with Micah Mattrix, Riley explained his interest in Walker Percy: “I’ve been curious about Walker since, as a teenager, I first pulled The Moviegoer from my parents’ bookshelf…. Part of my curiosity came from the fact that Walker was steeped in the traditions and culture of the South, yet his interests led him to people like Camus and Sartre and Kierkegaard rather than someone like Faulkner. That was intriguing to me. And the story of moving from medicine to fiction, from agnosticism to faith, was very, very interesting.”

Three years in the making, Riley’s award-winning documentary tells Percy’s story with archival film, excerpts from his work, and interviews with family, friends and scholars.  

Here, Riley describes the film in his own words:

As a doctor turned writer and philosopher, Percy was concerned with the big issues: “Where do we come from? What are we? Where are we going?" But he knew his audience was inured to a direct approach. Binx Bolling, in The Moviegoer, is almost allergic to such discussions-––“...if they spoke to me of God, I would jump into the bayou”––yet he is preoccupied with what he calls ‘the search.’ It is a preoccupation that haunts all of Percy’s work.  Part of what makes Percy’s characters like Binx, Will Barrett, and Thomas More so indelible is their wry humor despite being ‘Lost in the Cosmos.’ In Percy’s fifth novel, The Second Coming, the protagonist, Will Barrett, descends into a cave, determined to confront God. He is thwarted by a toothache. For Walker, “humor was an instrument of introspection,” writer Robert Coles says in the film. “That’s what he beautifully combined: that lighthearted sensibility merged with a grave, seriously introspective side. This takes a genius.”

 Walker Percy: A Documentary Film can be purchased or rented here


Winston “Win” Riley’s first film, Walter Anderson: Realizations of an Artist, won several film festival awards and was broadcast on PBS. The documentary is absolutely fascinating and I highly recommend it.

Here’s a description of the film from Riley’s website:

Walter Anderson: Realizations of an Artist explores Anderson’s life and art, from his student days to his last trip to Horn Island in 1965, during Hurricane Betsy.
 Using never before seen film footage, as well as artwork and archival photographs, this one-hour biography traces the extraordinary life of the fiercely independent artist. Interviews with family members, artists, and art critics describe Anderson’s struggle to survive during the Depression, his hospitalizations and subsequent escapes, and his eventual triumph as an artist. Born in New Orleans and trained at the Pennsylvania Academy of the Fine Arts, Anderson had a spiritualist side that resulted in a lifelong search. As a student, he set out to visit the mystic G.I Gurdjieff at Fontainebleau, as well as the Paleolithic murals at Les Eyzies. He walked across war torn China in 1949, hoping to visit Tibetan monasteries. And on many occasions he set out from Mississippi on cross country bicycle trips––to West Texas, Florida, Pennsylvania, and New York––painting watercolors and writing along the way. “He believed,” says Washington Post art critic Paul Richard, “that somewhere down the road, he would find the enlightenment he sought. It was a religious quest as well as an aesthetic quest."

Walter Anderson: Realizations of an Artist can be purchased here.